Ticket office.
Wed - Sat
1.00pm - 6.00pm
and 2 hours
before curtain
565 Camano Avenue
Langley, Washington
98260
t. 360/221.8268
t. 800/638.7631
EMAIL
Administrative
office.
Mon - Fri
10.00am - 5.00pm
PO Box 52
Langley, Washington
98260
t. 360/221.8262
f. 360/221.5812
EMAIL
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VOLUNTEER.
WICA offers unique volunteer opportunities
supporting a multitude of events and projects
throughout the season. There is a wide range
of fun and fulfilling hands-on projects in various
capacities from front of house, administration,
education, and production (onstage and
backstage).
Have fun, learn new skills, make great friends,
and become a valued part of our arts community!
Please email Jeanette Eveland, Volunteer
Coordinator, or call 360/221.8262 for more
information
VOLUNTEER FORM
Front of House.
As a Front of House volunteer, consider yourself
a host of WICA. You report to the House
Manager one hour prior to the performance and
are asked to remain after the performance to
assist in clean up.
Ushers
Ushers are used at all performances at WICA.
Responsibilities include preparing the lobby prior
to each show, vacuuming when directed by the
House Manager, collating and distributing
programs, and directing patrons to their seats.
At intermission, ushers assume position at the
doors, answer questions and ensure no food or
drinks are brought into the theatre. After the
performance ushers will recycle programs,
vacuum and assist with clean-up.
Concessions
Concessionaires sell food and drinks before the
performance and during intermission. Duties
include brewing coffee, restocking concession
items, making change and keeping the
concession area clean. Volunteers assist with
clean up after intermission and the performance.
Ticket Takers
Ticket Takers welcome patrons to WICA. During
intermission, Ticket Takers assist in the
concessions area. Following each performance,
volunteers thank patrons for attending and assist
with clean up.
Will Call
The Will Call volunteer works with a Ticket Office
staff member and provides patrons with their
pre-paid tickets. During intermission, Will Call
volunteers assist in the concessions area.
Following each performance, volunteers thank
patrons for attending and assist with clean up.
VOLUNTEER FORM
Administrative.
Mailing Parties
Help collate, stamp, label and prepare printed
materials for mailing and distribution when
needed. One to three hours depending on project.
VOLUNTEER FORM
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AUDITIONS.
2011/2012 Theatre Series
August 22 - 23, 2011
The 2011/2012 Theatre Series includes:
Yasmina Raza's
“God of Carnage” (OCT 2011)
directed by Andrew Grenier
Maltby and Shire's
“Big, the Musical” (DEC 2011)
directed by Robert W. Prosch
Robert Harling's
"Steel Magnolias" (FEB 2012)
directed by Tim Rarick
John Patrick Shanley's
“Doubt” (APR 2012)
directed by Sean Brennan
Petert Morgan's
“Frost/Nixon” (JUN 2012)
directed by Richard Evans
For more information about audition requirements, and to schedule an audition, please contact Deana Duncan, Production Director at (360) 221-8276 or via email.
THE SHOWS.
"God of Carnage" (comedy)
A playground altercation between eleven-year-old boys brings together two sets of Brooklyn parents for a meeting to resolve the matter. At first, diplomatic niceties are observed, but as the meeting progresses, and the rum flows, tensions emerge and the gloves come off, leaving the couples with more than just their liberal principles in tatters.
-- 2 men, 2 women --
"Big, the Musical"
The 1987 hit movie bursts onstage in this vibrant, funny and touching musical. When frustrated adolescent Josh Baskin wishes he were "big" and wakes up the next morning a 30-year-old man, he discovers there's much more to being an adult than he's bargained for-and learns we must all grow up at our own pace, in our own time.
A witty, moving, insightful book by John Weidman ("Pacific Overtures," "Assassins") and a dazzling, energetic, heartfelt, contemporary score by David Shire and Richard Maltby, Jr. ("Baby," "Starting Here, Starting Now," "Closer Than Ever") makes this already classic motion picture fantasy an unforgettable theatrical experience.
-- 9 men, 5 women, 2 boys, chorus (adult and youth) --
"Steel Magnolias" (comedy / drama)
The action is set in Truvy's beauty salon in Chinquapin, Louisiana, where all the ladies who are "anybody" come to have their hair done. Helped by her eager new assistant, Annelle (who is not sure whether or not she is still married), the outspoken, wise-cracking Truvy dispenses shampoos and free advice to the town's rich curmudgeon, Ouiser, ("I'm not crazy, I've just been in a bad mood for forty years"); an eccentric millionaire, Miss Clairee, who has a raging sweet tooth; and the local social leader, M'Lynn, whose daughter, Shelby (the prettiest girl in town), is about to marry a "good ole boy." Filled with hilarious repartee and not a few acerbic but humorously revealing verbal collisions, the play moves toward tragedy when, in the second act, the spunky Shelby (who is a diabetic) risks pregnancy and forfeits her life. The sudden realization of their mortality affects the others, but also draws on the underlying strength—and love—which give the play, and its characters, the special quality to make them truly touching, funny and marvelously amiable company in good times and bad.
-- 6 women --
"Doubt (drama)
In this brilliant and powerful drama, Sister Aloysius, a Bronx school principal, takes matters into her own hands when she suspects the young Father Flynn of improper relations with one of the male students.
-- 1 man, 3 women --
"Frost/Nixon" (drama)
British talk-show host David Frost has become a lowbrow laughing-stock. Richard M. Nixon has just resigned the United States presidency in total disgrace over Vietnam and the Watergate scandal. Determined to resurrect his career, Frost risks everything on a series of in-depth interviews in order to extract an apology from Nixon. The cagey Nixon, however, is equally bent on redeeming himself in his nation's eyes. In the television age, image is king, and both men are desperate to outtalk and upstage each other as the cameras roll. The result is the interview that sealed a president's legacy.
-- 8 men, 2 women --
Production.
Performance
Acting
Season Auditions for the Theatre Series occur
in August. However, show-specific audtions may
occur throughout the season. Artists are welcome
to submit materials at anytime. We encourage all
ranges of acting experience from novices to
seasoned actors to become involved. We have
the tools to help you "grow" your talent.
Sets
Design
Works with director to create a “world” for the
production, and will create drawings/models of
the design for Technical Director to engineer set
designs.
Construction
Works with Technical Director to build sets.
All levels of experience are welcome.
Time commitment varies.
Painting
Paints completed set.
All levels of experience are welcome.
Costumes
Design
Works with director to create costumes. Pulls
costumes from different sources, designs and
sews individual pieces when needed. Time
commitment will vary depending on costume
requirements.
Support
Assists costume designer in finding, sewing,
ironing, modifying, fittings, and maintaining
costumes.
Dresser
Prepares costumes and assists actors in
costume changes during a performance. Attends
dress rehearsals and is expected to assist at
each performance of the production.
Lighting
Design
Very skilled technical position and is supervised
by the Technical Director.
Light Board Operator
No experience necessary technical position.
Training will be provided by the Technical
Director. Attends tech week, the last week of
rehearsals and is expected to work the light
board each performance of the production.
Sound
Design
Very skilled technical position and is supervised
by the Technical Director.
Sound Board Operator
No experience necessary technical position.
Training will be provided by the Technical
Director. Attends tech week, the last week of
rehearsals and is expected to work the sound
board each performance of the production.
Properties
Design
Collects all props needed from varied sources,
builds/makes props and assures props are
returned to rightful owners after production.
Support
Assists in attaining, building and fixing all props.
Hair/Makeup
Design
Assist actors in preparing for each performance
as directed by the costume designer. Attends
dress rehearsals and is expected to assist at
each performance of the production.
Stage Management
Stage Manager
Attends to all rehearsals, production meetings
and acts as administrative assistant to the
Director. Facilitates the technical end of the
production. Requires a large commitment in
time and experience.
Assistant Stage Manager
Assists the Stage Manager and works on
Running Crew during production. Some
experience required and large time commitment.
Running Crew
Works the entire production performing varied
duties. Attends tech week, the final rehearsals
in order to “learn” the show and is expected to
work each performances. Duties range from
supporting the actors back stage to moving
props on stage.
VOLUNTEER FORM
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